Our first documentary of SIFF 2005 was actually a pair: two documentaries about life in North Korea and life for those who try to escape it.
North Korea: A Day in the Life is a snapshot of events for one family on a typical day in North Korea. The family awakens and has breakfast. The mother takes her daughter to kindergarten, and then goes to work in a textile mill. A son goes to attend an English class. They return home, and over dinner the grandfather recounts stories from the war. The power of the film comes from what's presented. Director Pieter Fleury received permission from the Ministry of Culture of the Democratic Republic of North Korea to film inside the country. This means they reviewed the film's contents. This also means that not a trace of poverty, disease, prisons, or anything else related to the current regime of North Korea was shown.
What was shown is the Orwellian presence and control that the North Korean regime currently imposes on its people. Pictures and statues of Kim Jong Il are everywhere. Kids are taught how he was benevolent and a man of the people, even when he was a young boy. Patriotic music is piped into production factory floors. Anti-American sentiments run rampant, with the West blamed for most evils, past and present, including the frequent power outages. Workers perform organized work-outs at specified times of the day.
A sense of confinement and enclosure are felt while you're watching this movie. Not only is everything artificially clean, happy, and orderly, but there's no way out of, and no way into, this system. To many in the movie going about their daily lives, North Korea is practically the entire world.
Coming off of this documentary, the perfectly-paired Seoul Train shows a more realistic view of North Korea, and also follows refugees who are trying to escape the country. An underground railroad exists to shuttle refugees from North Korea to safer areas, like South Korea and Mongolia. China, however, is not a safe area: China considers nearly all North Korean refugees as illegal immigrants, and returns them to North Korea. Furthermore, escaping North Korea is punishable by imprisonment, forced labor, and death.
The film shows three things: true life of rural border towns in North Korea with a hidden camera, interviews with government officials and humanitarians, and the stories of a set of refugees and their attempt to arrive in a country that will accept them for what they are.
The images of North Korean rural life are in sharp contrast to the first film; here, you see clear evidence of the famine that is plaguing North Korea (the movie explains that international aid is routed to party loyalists, and denies from others). The interviews with officials and humanitarians shows both great intents and bound hands, as everyone complains that no one can do anything. Finally, the underground railroad depicts people taking life and law into their own hands, with heroic people risking their freedom in an attempt to provide it for other people.
Overall rating: 8.0/10.0 , 8.5/10.0
Details
Runtime: 48m / 54m
Countries: Netherlands / USA
Languages: Korean / English, Korean, Mandarin, Polish
1 comment:
Ti kanis, filo mou?
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